In the art of audio sound capture, the recording engineer must contend with and balance many sonic issues (external noise bleed, structure-borne resonance, off-axis colorations) in order to arrive at sounds that are truly sonically robust.
Aural•Xpanders™ give the recording engineer a high degree of control by providing the capability to filter the undesirable external overtones that tend to push the engineer to over-process on the back-end during the mixing stage.
Aural•Xpanders offer the recording engineer a means of tonal control and passive filtering before the sound ever hits the signal path and before ever reaching for a knob or booting-up a plug-in.
(1) 14″ Xpander™ baffle
(2) 8″ Tri•Xpander™ (triangular) baffles
(4) 6″ Trap•Xpander™ (trapezoidal) baffles
(6) PlatFeet-II™ structural resonance interrupters (enough to float 2 tripod/round-based mic stands or 2 cymbal stands or 2 floor toms)